EDUCATION |
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MFA, University of California, Berkeley, CA MA, University of California, Berkeley, CA Idyllwild School of Music and the Arts, USC; Art Students League, NYC BS, University of Wisconsin, River Falls, WI |
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AWARDS AND GRANTS | ||
2015-16 | Faculty Research Grant, Scripps College, Claremont, CA
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2014-15 | Faculty Research Grant, Scripps College, Claremont, CA | |
2013-14 | Faculty Research Grant, Scripps College, Claremont, CA
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2012-13 | Faculty Research Grant, Scripps College, Claremont, CA | |
2011-12 | Jean and Arthur Ames Studio Art Faculty Research Award, Scripps College, Claremont, CA
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2010-11 | Mary Wig Johnson Faculty Achievement Award in Service, Scripps College, Claremont, CA
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2009-10 | Faculty Research Grant, Scripps College, Claremont, CA
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2008-09 | Mary Wig Johnson Faculty Achievement Award in Research, Scripps College, Claremont, CA
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2007-08 | Who's Who in American Education, New Providence, NJ: Marquis Who's Who, 8th Ed. |
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2006-07 | Faculty Research Grant, Scripps College, Claremont, CA
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2005-06 | Faculty Research Grant, Scripps College, Claremont, CA |
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2004-05 | Mary Wig Johnson Faculty Achievement Award
in Research, Scripps College, Claremont, CA |
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2003-04 |
Artist Residency, Banff Centre, Alberta, Canada |
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2002-03 |
Faculty Research Grant, Scripps
College, Claremont, CA Summer Stipend, Santa Fe Workshop, Santa Fe, NM |
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2001-02 |
Faculty Research Grant, Scripps
College, Claremont, CA |
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2000-01
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Faculty Research Grant, Scripps College, Claremont, CA | |
1999-00 |
Faculty Research Grant, “New
Constellations: From Bees>Stars>Words,” Scripps College, Claremont, CA Jean and Arthur Ames Studio Art Faculty Research Award, Scripps College, Claremont, CA |
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1998-99 |
Mary Wig Johnson Faculty Achievement Award in Teaching, Scripps College, Claremont, CA, | |
1997-98 |
W. M. Keck Faculty Research Grant,
Claremont McKenna College (w/ Professor Robert Valenza) Mellon Project Grant, “Creating an Image Database: Part 2,” Scripps College, Claremont, CA Mary Wig Johnson Faculty Achievement Award in Research, Scripps College, Claremont, CA Jean and Arthur Ames Studio Art Faculty Research Award, Scripps College, Claremont, CA Strathmore’s Who’s Who, Strathmore Directories, Ltd., Westbury, NY Who's Who in the West, Marquis Who's Who in America, 27th ed., New Providence, NJ |
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1996-97 |
Mellon Project Grant, “Creating
an Image Database,” Scripps College, Claremont, CA Culpeper Foundation Grant, “Claremont Humanities Electronic Media Project,” The Claremont Graduate School W. M. Keck Faculty Research Grant, Claremont McKenna College (w/ Professor Robert Valenza) |
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1995-96 |
Faculty Sabbatical Research Fellowship,
Scripps College, Claremont, CA Who's Who in American Education, Marquis Who's Who in America, 5th ed., New Providence, NJ Who's Who in the World, Marquis Who's Who in America, 14th ed.,New Providence, NJ The World Who’s Who of Women, International Biographical Centre, 14th ed.,Cambridge, England |
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1994-95 |
Faculty Research Grant, "Telling
the Bees," video installation, Scripps College, Claremont, CA Mary Wig Johnson Faculty Achievement Award in Research, Scripps College, Claremont, CA Jean and Arthur Ames Studio Art Faculty Research Award, Scripps College, Claremont, CA Who's Who in the West, Marquis Who's Who in America, 25th ed., New Providence, NJ Who's Who of American Women, Marquis Who's Who in America, 19th ed., New Providence, NJ Who's Who Among America's Teachers, Educational Communications, Inc., 3rd ed., Lake Forest, IL |
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1993-94 |
Irvine Faculty Development Grant, "Dance of the Melissae," Scripps College, Claremont, CA | |
1992-93 |
Faculty Computer Purchase Funds,
Scripps College, Claremont, CA Faculty Research Grant, "Computer-Generated Imagery," Scripps College, Claremont, CA, |
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1991-92 |
Mary Wig Johnson Faculty Achievement
Award in Teaching, Scripps College, Claremont, CA Jean and Arthur Ames Studio Art Faculty Research Award, Scripps College Stevenson Faculty Research and Travel Grant, Scripps College (Hawaii) |
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1990-91 |
Stevenson Faculty Research and Travel
Grant, Scripps College (Costa Rica) Faculty Research Grant, "Computer Graphics Paintings," Scripps College |
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1989-90 |
Faculty Research Grant, "Printmaking
Exhibition in Japan," Scripps College, Claremont, CA |
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1989 |
Artist Residency, Virginia
Center for the Creative Arts, Sweet Briar, VA |
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1986-88 |
Faculty Research Grant, Scripps College, Claremont, CA | |
1985 |
Printmaking Scholarship, KALA Institute, Berkeley, CA | |
1983 |
Cash Award, Sacramento Valley Artists, Davis, CA | |
1981 |
Best of Show, Selections:
A National Juried Exhibition, Vertex Gallery, Taos, NM |
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1980 |
Educational Improvement Grant, University of California, Berkeley, CA |
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1979 |
Best of Show, Northern California Women's Exhibition, Chico State University, Chico, CA | |
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SOLO EXHIBITIONS |
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2011 | HOPES AND DREAMS: A Visual Memoir, Andi Campognone Projects, Pomona, CA |
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2010 | SELECTED WORKS FROM THE HIVE UNIVERSE:NANCY MACKO, Tutti Mangia, Claremont, CA | |
2009 | CLUSTERS AND MATTER , Malott Commons, Scripps College, Claremont, CA | |
2008 | HIVE MOMENTS: Nancy Macko, Works on Paper, Commissary Arts, Venice, CA | |
2007 | PRIME MATTERS, Kavli Institute or Theoretical Physics (KITP), University of California, Santa Barbara, CA | |
2006 | HIVE UNIVERSE: The Art of Nancy Macko, 1994-2006, Los Angeles Municipal Art Gallery,
Barnsdall Art Park, Los Angeles, CA |
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2005 | LORE OF THE BEE PRIESTESS, NYIIFVF (New York International Independent Film and Video Festival), Los Angeles, CA (screening debut in LA) |
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2004 | OUR VERY LIVES, Centre International d'Art Contemporain, Pont Aven, France
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2003 | INTERSTICES: Prime Deserts, Kellogg
University Art Gallery, California Polytechnic University, Pomona, |
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2001 | THE HONEYCOMB WALL AND OTHER WORKS, Nortel Networks, Inc., Los Angeles, CA | |
1998 | EXCERPTS FROM AND EXTENSIONS TO, W.M.
Keck Learning Room, Honnold/Mudd Library of the Claremont Colleges, Claremont, CA (Permanent installation in collaboration with Jan Blair) DIGIT: Featuring the Honeycomb Wall, Gregory Kondos Gallery, Sacramento City College, Sacramento, CA |
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1994 | DANCE OF THE MELISSAE, Brand Library Art Galleries, Glendale, CA | |
1993 | PAINTINGS AND COLLAGES, Sumitomo Building, Los Angeles, CA | |
1992 | INTERVALS, DISTANCE AND FLIGHT, Hilton
Community Gallery, Pasadena, CA INNER LANDSCAPES, West Los Angeles City Hall Gallery, Los Angeles, CA |
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1991 | MULTIPLE HORIZONS, Hyde Gallery, Grossmont
College, San Diego, CA MATTERS OF CONCERN: Collages and Monoprints from Costa Rica and Hawaii, Fine Arts Center Gallery, Washington State University, Pullman, WA |
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1989 | SHIFTING CYCLES, Double Rocking G Gallery,
Los Angeles, CA (review: L.A. Times) ACROSS THE MILES, Ashiyagawa Gallery, Ashiya, Japan (review) |
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1985 | PAINTINGS, IDEA Gallery, Sacramento, CA (review) | |
1984 | RECENT WORK FROM THE THRESHOLD SERIES,
Los Medanos College Art Gallery, Pittsburg, CA RECENT LITHOGRAPHS, Whitman College, Walla Walla, WA |
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SELECTED JURIED AND INVITATIONAL
GROUP EXHIBITIONS |
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2012 | WHEN I'M 64, Wignall Museum, Rancho Cucamonga, CA |
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2011 | GENERATION VIII, A.I.R. Gallery, Brooklyn, NY |
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2010 | TECHNO ORGANIC: Evolutionary Art + Design, Objct Gallery, Claremont, CA
ADDING ON: REPETITION WITH VARIATION, Marin Arts Council Gallery, San Rafael, CA INCOGNITO, Santa Monica Museum of Art, Santa Monica, CA (Donated work to silent auction) |
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2009 | LAPS 20th NATIONAL EXHIBITION, Municipal Art Gallery, Barnsdall Park, Los Angeles, CA
GAIA AND GLOBAL WARMING: WOMEN ARTISTS CHAMPION NATURE, Arts Association at the Center for the Arts, Jackson Hole, WY THE ARTISTS OF ZYZZYVA, Mina Dresden Gallery, San Francisco, CA AN ENDURING LEGACY: NEW ACQUISITIONS TO THE PERMANENT COLLECTION, Claremont Museum of Art, Claremont, CA INCOGNITO, Santa Monica Museum of Art, Santa Monica, CA (Donated work to silent auction) FAITH RINGGOLD, A CELEBRATION, Institute for Women and Art, Rutgers State University, Rutgers, NJ (Donated work to silent auction) PRESERVATION/CONSERVATION, Terminal 3, Los Angeles World Airports Arts Exhibition Program, Los Angeles, CA |
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2008 | AQUA ART MIAMI, Represented by Commissary Arts of Venice, CA
PINK, Soho Myriad, Atlanta, GA MULTIVERSE, Claremont Museum of Art, Claremont, CA RECENT ACQUISITIONS, Williamson Gallery, Scripps College, Claremont, CA CONVERGENT TOPOLOGIES, Davidson Galleries, Seattle, WA CUMÁKY, ZOBÁKY, SOSÁKY (MUZZLES, BEAKS, STINGERS), Galerie Califia, Horaždovice, South Bohemia, Czech Republic |
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2007 | ART CONNECTIONS 4, George Segal Gallery, Montclair State University, Montclair, NJ
CONTEMPORARY PRINTMAKING AT THE CROSSROADS, George Segal Gallery, Montclair State University, Montclair, NJ IM(press)IONS: Contemporary/Modern Prints, 1960 – today, Edward Cella Art + Architecture, Santa Barbara, CA QUEEN BEES: Eco-Actions and Collective Organizing, Irene Carlson Gallery of Photography, University of La Verne, La Verne, CA |
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2006 | FOURTEEN ARTISTS/FOURTEEN YEARS: Mahaffey Fine Art, Portland Art Museum, Portland, OR |
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2005 | SCRIPPS COLLEGE FACULTY EXHIBITION, Williamson Gallery, Scripps College |
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2004 | COUNTERPARTS: Art from Mathematics, Peninsula Museum of Art, Belmont, CA (3-person) |
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2003 | ATELIER D'ARTISTES, Hotel de Ville Pont
Aven, Conseil General du Finistere, Quimper,France IS/WAS/WILL BE, 10th Anniversary Exhibition, Pont Aven School of Art, Espace Melanie, Riec-sur-Belon, FR; Mona Bismarck Foundation, Paris, France LOOK UP! CONTEMPLATING THE SKIES, New York Academy of Sciences, New York, NY THE WHOLE BALL OF WAX, WomanMade Gallery, Chicago, IL LAPS JURIED MEMBERSHIP EXHIBITION, Brand Library Art Gallery, Glendale, CA |
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2002 | SPIRIT MANIFEST, Stonewater Sanctuary,
Croton-on-Hudson, NY |
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2001 | ROMANCING THE UNIVERSE, Gallery 825, Los Angeles, CA | |
2000 | IN THE MIND’S SKY: Intersections
of Contemporary Art and Science, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA SWAP ‘N GO, The Bingo Building at the Brewery, Los Angeles, CA |
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1999 | DRAWING THE LINE, Ruth Chandler Williamson
Gallery, Scripps College, Claremont, CA DIGITAL CODE/CULTURAL PATTERNS, Visual Arts Gallery, University of Texas, Dallas, TX QUEEN, Mendenhall Gallery, Whittier College, Whittier, CA |
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1998 | SCRIPPS COLLEGE FACULTY EXHIBITION,
Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA |
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1997 | POLARITIES, Video Screening, SPE Regional
Conference, “Skin Deep,” Los Angeles, CA |
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1996 | THE NEXT WAVE: DIGITAL REVISION, The Light
Factory, Charlotte, NC (4-person) |
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1995 | MANIPULATIONS, Municipal Art Gallery,
Barnsdall Park, Los Angeles, CA (5-person) THE WORLD’S WOMEN ON-LINE!, United Nations' Fourth World Conference on Women, Beijing, China; Computing Commons Gallery, Arizona State University, Tempe, AZ P.L.A.N. (Photography Los Angeles Now), Los Angeles County Museum of Art, Los Angeles, CA (http://www.lacma.org/) SCRIPPS FACULTY EXHIBITION, Scripps College, Claremont, CA INFORMATION SUPERHIGHWAY, Downey Art Museum, Downey, CA Bit Movie ‘95, Palazzo del Turismo, Riccione, Italy WOMEN PRINTMAKERS, Waldorf College, Forest City, Iowa |
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1994 | DIGITAL LA, Sam Francis Gallery, Santa
Monica, CA |
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1993 | COLOR AND SPIRIT, Buckley Center Gallery,
Portland University, Portland, OR |
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1992 | MATERIAL MATTERS: Explorations in Pattern
and Shape, Gensler and Associates, Santa Monica, CA CASTING LIGHT, ACKNOWLEDGING THE SHADOW: A Tribute to Sylvia Lark, Museum of Art, Washington State University, Pullman, WA SCRIPPS FACULTY EXHIBITION, Lang Gallery, Scripps College, Claremont, CA IPI: International Painting Interactive, The S.L.A.D.E. Corporation in conjunction with SIGGRAPH '92, Chicago, IL ENCORE, The Art Works, Riverside, CA INLAND EMPIRE SHOWCASE ARTS EXHIBIT, National Orange Show, San Bernardino, CA COMPUTER ART FROM THE WESTERN STATES, Brigham City Museum, Brigham, UT THE FRAME: MULTIPLIED AND EXTENDED, Security Pacific Gallery, Costa Mesa, CA SELECTED WORKS: Members of the California Society of Printmakers, Memorial Union Art Gallery, University of California, Davis, CA |
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1991 | MONOTYPE/MONOPRINT INVITATIONAL EXHIBITION,
Kipp Gallery, Indiana University of Pennsylvania, Indiana, PA PRIX ARS ELECTRONICA 1991, International Competition for Computer Arts, ORF Upper Austrian Regional Studios, Linz, Austria CYCLES, Southern California Women's Caucus for Art, Brand Library Art Gallery, Glendale, CA WOMEN PRINTMAKERS, Multnomah County Library, Portland, OR; Sisson Gallery, Henry Ford Community College, Dearborn, MI PACIFIC PRINTS, Amfac Plaza Gallery, Honolulu, HW; East Hawaii Cultural Center, Hilo, HW; Orange Coast College Gallery, Costa Mesa, CA; Los Angeles Harbor College Gallery, Wilmington, CA ART & THE WOMAN ARTIST, Clary-Miner Gallery, Inc., Buffalo, NY THE PRINTS AND THE PAPER, San Diego Art Institute, San Diego, CA 4TH NATIONAL COMPUTER ART INVITATIONAL, College of Fine Arts Gallery, Eastern Washington University, Cheney, WA (Traveling as National Computer Traveling Exhibition, 1991-1993) PARKSIDE NATIONAL SMALL PRINT EXHIBITION, University of Wisconsin, Parkside, Kenosha, WI VALENTINE SHOW, The Art Works, Riverside, CA |
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1990 | ETCHINGS ETCETERA, Traveling exhibition
to: Pyramid Technology; Cadence, Synopsys, and 3COM Corporations, San Jose, CA; Quantum Corporation, Milpitas, CA CSP MEMBERSHIP EXHIBITION, South of Market Cultural Center, San Francisco, CA CONTEMPORARY ETCHING, Auginbaugh Gallery, Messiah College, Grantham, PA WOMEN'S CAUCUS FOR ART EXHIBITION, Lancaster Art Museum/Gallery, Lancaster, CA AMERICAN PRINT SURVEY, Martin Museum/University Art Gallery, Baylor University, Waco, TX DAY OF THE DEAD, The Art Works, Riverside, CA ART AT SCRIPPS: AN INAUGURAL CELEBRATION, Lang Gallery, Scripps College, Claremont, CA PRINT TYPES, Morehead State University, Morehead, KT; Indiana University Southeast, New Albany, IN SPRING PORTFOLIO SALE, The Art Works, Riverside, CA THE INTAGLIO PROCESS, Visual Arts Center, Fort Hays State University, Hays, KS MONOPRINTS & MIXED MEDIA, Gallery East, College of Eastern Utah, Price, UT |
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1989 | PORTFOLIO, The Art Works, Riverside, CA AMERICAN PRINT SURVEY, Furlong Gallery, University of Wisconsin-Stout, Menomonie, WI DIRECTOR'S CHOICE, Cowan College, Murfreesboro, NC SCRIPPS COLLEGE FACULTY EXHIBITION, Lang Gallery, Claremont, CA (brochure) THE INTAGLIO PROCESS, East Central University, Ada, Oklahoma IMPRESSIONS: SIX PRINTMAKERS, Wignall Museum/Gallery, Chaffey College, Rancho Cucamonga, CA (catalog) WOMEN PRINTMAKERS, Carleton College, Northfield, MN, and North Hennepin Community College, Minneapolis, MN CALIFORNIA PRINTS at Graphic Workshop of Funen, Odense, Denmark |
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1988 | TAKING LIBERTIES, Women's Caucus for Art
Membership Exhibition, Loyola Law School, Los Angeles, CA (catalog, review,
juror: Anne Ayres) FRINGE OF THE FRINGE LA, East Gallery, Claremont Graduate School, Claremont, CA PREVIEW EXHIBITION, Long Beach Museum of Art Rental Gallery, Long Beach, CA SHOWCASE '88, ASI University Union Gallery, California State Polytechnic University, Pomona, CA (catalog) CALIFORNIA PRINTS: NORTH/SOUTH, Mills College Art Gallery, Oakland, CA PRINT TYPES, Kansas Union Gallery, Kansas State University, Manhattan, KS CALIFORNIA SOCIETY OF PRINTMAKERS ANNUAL MEMBERSHIP EXHIBITION AND 75TH ANNIVERSARY SHOW, Sacred Heart Art Corridor, Menlo Park, CA NEW DIRECTIONS IN PRINTMAKING, Collector's Gallery, Oakland Museum, Oakland, CA |
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1987 | FRONTIERS OF ABSTRACTION, Prichard Art
Gallery, University of Idaho, Moscow, ID (review) |
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1986 | CALIFORNIA ARTISTS, Gallery Beni, Kyoto,
Japan |
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1985 | INNER WORLDS, Diablo Valley College,
Pleasant Hill, CA (2-person, review) |
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1984 | SHAPED X FOUR, Montalvo Center for
the Arts, Saratoga, CA (review) |
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1983 | COLORPRINT, U.S.A., Texas Tech University,
Lubbock, TX (catalog) |
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1982 | OPENING EXHIBITION, Shackelford and
Sears, Davis, CA |
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1981 | 2:1, WALL WORK AND SCULPTURE, Southern
Exposure Gallery, San Francisco, CA |
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1980 | WORKS ON PAPER, Heller Gallery, University
of California, Berkeley, CA |
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1979 | RECENT WORKS, Chabot College Art Gallery,
Hayward, CA (2-person)
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ARTICLES AND REVIEWS |
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2011 | Daichendt, G. James. “Intimate Series of Digital Prints,” ArtScene, Vol. 31, No.5, January, 2012, Pg. 28 (Reproduction: Disintegrating Memory #1, 2010) Bolinger, Brenda. “Fading Away: Scripps Professor Portrays Mother’s Memory Loss in Art,” Claremont Courier, Dec 24, 2011, Pgs. 8-9 Davies, Stacy. “A Ho Ho Happening!” Inland Empire Weekly, Dec 21, 2011 (Repro/detail: Hi Daddy #2, 2010) http://www.ieweekly.com/cms/story/detail/a_ho_ho_happening/4370/ Meriam, Mary (ed.) Lavender Review, Issue 4, Nov, 2011;( Reproduction: Thera, 2003); http://www.lavrev.net Meriam, Mary (ed.) Lavender Review, Issue 3, June, 2011; (Reproduction: Apis Mellifera Constellation, 2000); http://www.lavrev.net Ressler, Susan and Turner, Stephanie, "Photography as Medium for Co-Evolutionary Animal-Human Conversations," National SPE Conference Panel, Atlanta, GA (Mar 2011) |
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2010 | Silverthorn, Michael, "29th Annual Alma College Statewide Print Competition," Journal of The Print World, Inc., Winter 2010 issue | |
2009 | Waldorf, Emily. "The Artist Interview: Nancy Macko," ArtsEtoile, September 22, 2009
Niner, Katy. "Sounding the Alarm: six female artists explore the effects of global warming," Stepping Out, Jackson Hole News & Guide, September 9, 2009 (Reproduction: The Honeycomb Wall) Niner, Katy. "Women confront climate change with creativity," Stepping Out, Jackson Hole News & Guide, June, 24, 2009 (Reproduction: detail from The Honeycomb Wall) Paterson, Carrie. “Multiverse at Claremont Museum of Art,” Artillery Magazine, Vol 3, Issue 3, Jan/Feb 2009 |
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2008 | Carasso, Roberta, “Multiverse: artists across the globe create their own parallel universes,” Coast, December, 2008, (Reproduction: Bee Stories: Still #85): 204-5. |
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2007 | Frank, Peter, Nancy Macko: Hive Society, October, 2007 (Published online) | |
2006 | Christensen, Judith, “Hive Universe at Municipal Art Gallery,” ArtScene, 12/25/06
http://www.artscenecal.com/ArticlesFile/Articles0107a/NMackoA.html Row, D.K., “On display: a passion for prints,” The Oregonian, 12/24/06 |
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2005 | Salaff, Jennifer Cho, “A Day Unfolding: Photographers Explore Joshua Tree in 24 Hours,” Inland Valley Daily Bulletin, 09/01/05 Frank, Peter, “AXS: At The Intersection of Art and Science,” LA Weekly, 08/19/05 Forgione, Mary, “24 photographers, 24 hours,” LA Times, 08/09/05 Krimm, Donna, “Where Art Meets Science: Caltech-Armory show connects art, math, nature,” Pasadena Star News, 07/10/05 |
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2004 | Jacq, Annaïg, “Un Centre international d’art contemporain à Pont-Aven,” Le Courrier, 10/02/04 Pacallet, Gwen, “Nancy Macko et Nana Gregory exposent au CIAC,” Ouest-France, 09/25/04 Myers, Holly, “A print-off in one kind of ink,” LATimes, 08/20/04 |
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2003 | Jacq, Anaig, "L'artiste Nancy
Macko s'inspire des legendes celtes,"Ouest-France, 11/10/03 |
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2000 | Knaff, Devorah, “Art and Science
Neatly Mesh in ‘In the Mind’s Sky’,” The Press Enterprise Vayda, Priscilla, “Using imaginations on the cosmos,” San Gabriel Valley Tribune, 9/1/00; photo Calder, Diane, “Intersections of Art and Science,” ArtScene, September 2000; Reproduction Muchnic, Suzanne, "Inspired Leaps from the Lab to the Studio," LA Times, 8/27/00; Reproduction Krupnick, Matt, “Combining Art and Science,” Inland Valley Daily Bulletin, 8/26/00, Reproduction |
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1999 | Waligore, Marilyn, “Digital Photography:
Subversion and Enchantment,” Photography Quarterly, #75, Vol. 19, No. 1; New York: Center for Photography at Woodstock, 1999 Reproduction: “Honeybox Hex” Smith, Gary, “Why Art?” Claremont Courier, Fringe of the Fringe section, September 8, 1999 Bartlett, Mary, “Art and Life in the Digital World: Professor Nancy Macko’s students use conceptual thinking to create digital art,” Scripps College Bulletin, Vol. 72, No. 2; Spring 1999 Reproduction: "Cucuteni Artifacts,”,Macko/Blair, 1998 Roller, Timothy, “Digital Code: not cutting edge but well done,” UTD Mercury, April 12, 1999 Daniel, Mike, “Digital artists tech it to the limit,” Dallas Morning News, April 2, 1999 “Linear thinking: Digital Code, cultural patterns probe art at end of millennium,” Richardson News, April 1, 1999 |
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1998 | “New Paint for the Keck Learning
Room,” CONNECTIONS, Vol. 9, No.6, CA; The Libraries of the Claremont
Colleges, Fall, 1998 |
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1996 | Patterson, Tom, “Cut-and-paste
could give this show a run for the money,” The Charlotte Observer,
5/12/96 |
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1995 | Hock, Jennifer, "Images and the
Computer," Claremont Courier, 8/16/95 |
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1994 | "A SIGGRAPH '94 Sneak Preview,"
Computer Graphics World, July, 1994 |
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1993 | Villani, John, "The Lure of the
Pixel," Santa Fe New Mexican, May 14, 1993 |
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1992 | Hulbert, Kathleen Day and Schuster,
Diane Tickton, Women's Lives Through Time, San Francisco: |
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1991 | NOS, FE/MAIL ART, DEDICATO DONNA, a cura
di Chiara Diamantini, Rocca Roveresca/Senigallia, 1991 Ohlman, Leah, "The Best of San Diego's Weekend: ART: Inside/Outside," Los Angeles Times, San Diego, CA, July 19, 1991 "Macko shows work," Claremont Courier, Claremont, CA July 17, 1991 Huntington, Richard, "Grab bag has too few bright spots," The Buffalo News, Buffalo, NY, April 8, 1991 "Macko print chosen," Claremont Courier, March 7, 1991 |
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1990 | Smith, Mason, "Technical Teaching
Classroom, Computers Enhance Study of Art, Music and Psychology," |
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1989 | MacNaughton, Mary, "Studio Art
At Scripps: Past and Present," Scripps College Bulletin, Vol. 24,
No. 4; |
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1987 | Glowen, Ron, "Abstract Images
and Objects," Artweek, November 28, 1987 |
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1986 | Traisman, Barbara, "Profile: Rand
Castile," Triptych, The Museum Society, San Francisco, CA, |
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1985 | Cilensik, Cynthia, "Artists Share
Nativity Scene," The Daily Democrat, Woodland, CA, 12/24/85 |
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1984 | Alexander, Peggy, "Napa College
sponsors new exhibit at Main Street Gallery," Napa Register, 11/15/84
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1983 | McColm, Del, "From Stunning Glass
to Intimate Drawings," The Enterprise, Davis, CA, 11/10/83 |
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1981 | Focus Magazine, 8/29/81 Cover photo:
"22 by 30 + square, #19" |
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1980 | Macko, Nancy, "A Scene from Housewife Blitz," Northern California Women's Caucus for Art Postcard Project. (Reviewed: MS. Magazine, March, l98l) |
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1977 | Boettger, Suzanne, "Photocopylation," The Daily Californian, 11/30/79 | |
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BOOKS AND PUBLICATIONS |
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2011 | Ressler, Susan and Turner, Stephanie, "Photography as Medium for Co-Evolutionary Animal-Human Conversations," exposure journal, Society for Photographic Education, Issue 44:2, Fall, 2011, pgs. 19-22. | |
2010 | Macko, Nancy, "Notes from the Front Line," n. paradoxa, Feminist Pedagogies, (ed. Katy Deepwell), UK: KT Press, Volume 26, 2010, pg. 76. | |
2008 | Junker, Howard, ed. “First Map.” ZYZZYVA: the last word: west coast writers & artists, 24 no. 2, (Fall 2008): 124. Feminist Art Base (online database), Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, NY https://www.brooklynmuseum.org/eascfa/feminist_art_base/gallery/Nancy_Macko.php Heffesse, Cyril; Lopez, Darian; and Veiga, Jonathan, Welcome to the Life of Nancy Macko: A Documentary, http://www.youtube.com/watch?v=HH-iqtIs5RU [to be included in the archive on Southern California Women/ Feminist Artists at USC and the National Feminist Art Archives at Rutgers University] |
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2007 | Bebout, Catherine and Birmingham, Mary (eds.), Contemporary Printmaking at the Crossroads, NJ: George Segal Gallery, Montclair State University, 2007 | |
2006 | Jacobson, Karen (ed.), Hive Universe: Nancy Macko, 1994-2006, Claremont, CA: Scripps College, 2006 | |
2005 | Bicos, Sophia and Lee, Robin, “A X S: At the Intersection of Art and Science”, DVD, Armory Center for the Arts, Pasadena, CA |
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2004 | Macko, Nancy, “La Belle Reve,” Scripps College Magazine, Volume 77, No.1, Scripps College: Summer 2004, pgs.12-13 | |
2003 | Ressler, Susan, Women Artists of
the American West: An Interpretive History, NC: McFarland & Company,
Inc. |
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2001 | Mattera, Joanne, Encaustic Painting:
Contemporary Expression in the Ancient Medium of Pigmented Wax, |
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2000 | MacNaughton, Mary Davis, In the
Mind’s Sky: Intersections of Art and Science, Claremont, CA:
Scripps College, 2000 |
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1999 | Armitage, Susan, ed. “Nancy Macko
and Jan Blair: Glimpsing Romania,” Frontiers: A Journal of Women
Studies, |
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1997 | Macko, Nancy, “A View of the
Intersection of Art and Technology,” contributing to “A Range
of Critical |
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1995 | Gosney, Michael and Dayton, Linnea,
Desktop Color Book, 2nd edition, San Diego, CA: MIS Press, Verbum
Inc.,1995; Images published: “Glucose Goddess II,” “Bee
Priestess 1A,” pg. 87 |
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1994 | Morse, Deanna, The Art and Interdisciplinary
Programs of SIGGRAPH 94, Visual Proceedings, |
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1991 | Leopoldseder, Dr. Hannes, Der Prix
Ars Electronica: International Compendium of the Computer Arts, |
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1990 | Macko, Nancy, "Psychic Transformation:
One Woman's Journey," Psychological Perspectives, Issue
23: Fall, Los Angeles, CA: C. G. Jung Institute, 1990. pgs. 86-95 |
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1989 | Lilligren, Ingrid, IMPRESSIONS:
SIX PRINTMAKERS, Rancho Cucamonga, CA: Wignall Museum/Gallery, Chaffey
College, 1989; Reproductions: "Across the Miles, 1/12, pg. 10; "Intervals,
10/15,"pg.11; "Intervals, 8/15," pg. 12 |
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1988 | Ayres, Anne, 1988 Exhibitions:
Taking Liberties/Beyond Baroque, Southern California Women's Caucus
for Art, |
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1987 | MacNaughton, Mary Davis, New California
Printmaking: Selections from Northern and Southern California, |
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1984 | Pidgeon, Byard, L'Heureux, Macko,
Potts, catalog accompanying exhibition at Benton County Historical
Museum, |
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1982 | Johnson, Robert Flynn, Contemporary
California Prints, Davis, CA: Richard L. Nelson Gallery, |
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PROFESSIONAL EXPERIENCE |
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2012 | Artist-in-Residence, Residential College in the Arts and Humanities, Michigan State University, East Lansing, MI (deferred) | |
2011 | Artist-in-Residence , University of Dayton, Dayton, OH | |
2010 | Invited Participant, HERS (Higher Education Resource Services) Summer Institute, Bryn Mawr College, Bryn Mawr, PA
Faculty Presenter, "The Role of International Initiatives in a Liberal Arts College Education," Mellon 23, Harvey Mudd, Scripps and Pomona Colleges Faculty Presenter, "Media Studies at Scripps," Academic Information Session for Preview Day, 2009, Scripps College Faculty Mentor, "Games for Girls," CREU (Collaborative Research Experience for Undergraduates) with Professor Elizabeth Sweedyk, HMC, Claremont, CA |
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2009 | Site Visit, Women's Leadership Programs at Smith and Mt. Holyoke Colleges, Northampton, MA
Juror, 29th Annual Statewide Print Competition, Alma College, Alma, MI Juror, Advertising Photography Competition, LA County Fair, Millard Sheets Art Gallery at Fairplex, Pomona, CA Curator, ”Preservation/Conservation,” Los Angeles World Airports Arts Exhibition Program, Los Angeles, CA |
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2006 | External Evaluator, Art History/Visual Art Department, Occidental College, Eagle Rock, CA |
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2004 | Invited Panelist,“Cinema and Media Studies in Liberal Arts,”
Middlebury College, Middlebury, VT |
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2003 | Member, National Advisory Board, Southern
California Women’s Caucus for Art (2003-06) |
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2002 | Participant, Mellon Faculty Workshop
for Course Design Using WebCT, Claremont McKenna College |
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2001 | Panelist, Regional Arts Program of
the City of Los Angeles, Cultural Affairs Department, Los Angeles, CA |
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2000 | Professor of Art and Director, Digital
Imaging Program, Scripps College, Claremont, CA (2000- ) |
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1999 | Outside Evaluator, Educational Foundation
of America, Norwalk, CT (Whittier College Computer Art Program) |
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1998 | Chair, Art Department, Scripps College,
Claremont, CA ('98-'03) |
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1997 | Website Development, Straight Talk Energy,
Flintridge Consulting, Pasadena, CA Website Design and Development, City of Pasadena Parking Administration , Pasadena, CA Invited Juror, California Community Foundation, The Brody Arts Awards in Media Arts, Los Angeles, CA Juror, Student Show, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA Consultant and Facilitator, LA Culture Net Webraisings, The Getty Information Institute, Santa Monica, CA Invited Conferee, “Educating for the Workplace Through the Arts,” Getty Education Institute for the Arts, Getty Center, Los Angeles, CA |
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1996 | Guest Artist, Photo Critique/Workshop,
The Light Factory, Charlotte, NC |
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1995 | Executive Member, Board of Directors,
College Art Association, New York, NY ('95-'98) |
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1994 | Member, Board of Directors, College
Art Association, New York, NY ('94-'98) |
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1992 | Associate Professor of Art and Director, Computer Art Program, Scripps College, Claremont, CA ('92-'00) |
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1991 | Computer Graphic Design, "One
of a Kind," Multi-Image Show for Development, Harvey Mudd College,
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1990 | Participant, 4th Annual National Conference
on Liberal Arts and the Education |
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1989 | Juror, Annual Student Show, Mt. San
Antonio College, Walnut, CA |
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1988 | Director, Monoprinting Workshop for
Tokyo Woman's Christian University, Scripps College, Claremont, CA |
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1987 | California Arts Council Visiting Artist, California Rehabilitation Center, Norco, CA |
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1986 | Assistant Professor of Art, Scripps
College, Claremont, CA ('86-'92) |
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1985 | Assistant Registrar/Photographic
Services,
Asian Art Museum, San Francisco, CA |
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1984 | Visiting Artist: College of Wooster,
Wooster, OH; Whitman College, Walla Walla, WA; |
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1983 | Historian and Council Member, California
Society of Printmakers ('83-'84) |
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1982-84 | Instructor, Vista College, Berkeley,
CA |
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1981-83 | Instructor, Los Medanos College, Pittsburg,
CA |
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1980-81 | National Conference Leader and
Liaison,
WOMEN OF ART: CONNECTIONS WEST, National Conference of the Women's Caucus
for Art, San Francisco, CA |
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1978-79 | Participant, THE DINNER PARTY PROJECT,
Santa Monica, CA |
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1976-77 | Internship in Museum Education/Arts
Awareness, Minnesota Museum of Art, St. Paul, MN |
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LECTURES AND PRESENTATIONS |
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2011 | Guest Speaker, "Fleeting Moments, Lasting Memories," Channel Islands Art Program Inaugural Artist-Teacher Series, California State University Channel Islands, Camarillo, CA |
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2009 | Guest Lecturer, "The Hive Universe Project," Alma College, Alma, MI
Guest Panelist, "Gaia and Global Warming: Women Who Champion Nature," Center for the Arts, Jackson Hole, WY |
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2008 | Guest Artist and speaker, “The Honey Bee Symposium,” Wright Organic Resource Center, Malibu, CA
Panelist, “Convergent Topologies,” Symposium, Davidson Galleries, Seattle, WA |
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2007 | Panelist, “Contemporary Printmaking at the Crossroads,” Symposium, Montclair State University, Montclair, NJ
Guest Lecturer, “The Hive Universe Project,” Brown University, Providence, RI Guest Lecturer, “The Hive Universe Project,” Montclair State University, Montclair, NJ Guest Lecturer, “The Hive Universe Project,” Scripps Alumni Chapter, Tucson, AZ Guest Lecturer, “Prime Matters,” Kavli Institute for Theoretical Physics, University of California, Santa Barbara, CA Guest Lecturer, “The Hive Universe Project,” Southern California Women’s Caucus for Art, Los Angeles, CA |
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2006 | Conversation with the Artist, “Hive Universe: Nancy Macko, 1994-2006,” Municipal Art Gallery, Los Angeles, CA
ArtTable Sneak Preview, “Hive Universe: Nancy Macko, 1994-2006,” Municipal Art Gallery, Los Angeles, CA Film Screening, “Lore of the Bee Priestess,” Changing Lives: Stories of Transformation, Intercollegiate Women’s Studies of the Claremont Colleges |
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2005 | Guest Lecturer, “Intersections of Art and Science,” Pomona College, Claremont, CA |
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2004 | Guest Lecturer, “La Belle Reve,” Faculty Lecture Series, Scripps College |
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2003 | Faculty Participant, “Contemporary
Women Artists of Color,” Scripps College Summer Academy |
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2002 | Invited Panelist, “Feminist Utopias:
An Antidote for Cynicism,” Society for Utopian Studies, Orlando, FL Invited Panelist, “Feminist Utopias: An Antidote for Cynicism,” National SPE, Las Vegas, NV Guest Lecturer, “Lessons from the Hive: Artists who work with Bees and Bee Media,” Scripps 75th Anniversary Faculty Lecture Series, Scripps College, Claremont, CA |
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2001 | Guest Lecturer, “From the Ancient
Past to the Quintessential Future,” Portland State University, Portland,
OR Guest Lecturer, “Romancing the Universe,” Gallery 825, Los Angeles, CA Invited Panelist, “Medium Crossings: Moving between Analog and Digital,” Southern Graphics Council Annual Conference, Austin, TX |
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2000 | Guest Lecturer, “In the Mind’s
Sky,” Williamson Gallery, Scripps College, Claremont, CA Guest Lecturer, “Art Education for the New Millennium,” Fine Arts Foundation, Scripps College, Claremont, CA Guest Lecturer, “The Challenges for Art Education in the Future,” Washington University, St. Louis, MO |
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1999 | Invited Panelist, “Celebrating Women’s
Colleges,” Wilson College, Chambersburg, PA Guest Lecturer, “Digital Processes: Graphics, Photography and Web Projects, ” Whittier College, Whittier, CA |
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1998 | Guest Lecturer, “Digital
Processes: Graphics, Photography and Web Projects, ” Honnold/Mudd
Library, Claremont, CA. |
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1997 | Co-presenter with David Jensen (Getty
Information Institute), “The Anatomy of a Web Raising, ” Museums
and |
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1996 | Guest Lecturer, “Art and Technology:
Mismatched Bedfellows?”, Claremont McKenna College, Claremont, CA Visiting Artist and Guest Lecturer, “Dance of the Melissae,” University of North Carolina, Charlotte, NC Visiting Artist and Guest Lecturer, “Dance of the Melissae,” University of South Carolina, Columbia, SC Guest Lecturer, “The Honeycomb Wall, ” The Light Factory, Charlotte, NC Invited Panelist, “Educating Women in the Arts: What Can Women's Colleges Teach Us? ” Women's Caucus for Art, National Conference, Boston, MA Invited Panelist, “Programs in Computer Art: The Long View, ” part of the session “Running to Stay in Place: Developing Guidelines for Faculty in Computer-based Media in Art and Design, ” College Art Association Annual Conference, Boston, MA |
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1995 | Guest Lecturer, “The Honeycomb Wall,
” in conjunction with installation in Faculty Exhibition at Williamson
Gallery, Scripps College Guest Lecturer, “Women and Art, ” ID 26: Introduction to Women's Studies, Scripps College Guest Speaker, Seminar on Art and Science, Professor Mary MacNaughton, Scripps College |
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1994 | Guest Lecturer, “Dance of the Melissae:
Notes on the Installation, ” Issues in the Humanities Series, Scripps
College Artist's Lecture, “Dance of the Melissae: an Installation, ” Brand Public Library and Art Galleries, Glendale, CA Faculty Panel, “Women and Technology,” Freshman Orientation, Scripps College |
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1993 | Guest Lecturer, “The Human Presence
in Computer Generated Imagery, ” in conjunction with the exhibition
The Human Presence at Lang Gallery, Scripps College, Claremont, CA Panel Chair, “The New Frontier: Women on the Cutting Edge in Technology, ” for “The Power of Our Voices: Students and Teachers Learning Together, ” the Pacific Southwest Women's Studies Association Annual Conference, University of California, Irvine Guest Lecturer, “The New Media: Computer-Generated Imagery, ” Art 6: Images and Issues in Contemporary Art, Scripps College |
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1992 | Guest Lecturer, “The Mentoring Process,
” Women's Union, Pomona College, Claremont, CA Guest Lecturer, “Psychic Transformation: One Woman's Journey, ” ID 26: Introduction to Women's Studies, Claremont McKenna College, Claremont, CA Slide Lecture, “Psychic Transformation: One Woman's Journey, ” at “Women's Visions, Women's Realities, ” the 1992 National Feminist Psychology Conference sponsored by the Association for Women in Psychology, Long Beach, CA Panel Chair, “The Role of the Mentor: Before and After/Then and Now, ” College Art Association Annual Conference, Chicago, IL |
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1990 | Guest Lecturer,
“Electronic Art in 20 Minutes, ” Issues in the Humanities
Luncheon Series, Scripps College, |
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1989 | Slide Lecture, “Making Art, Training
Artists, ” presented to Scripps Alumnae, Orange Coast Chapter, Newport
Harbor Yacht Club, Newport Beach, CA Slide Presentation, “West Coast Painting Now,” by panelist Josine Ianco-Starrels, Chief Curator of the Long Beach Museum of Art, at the College Art Association's Annual Conference, San Francisco, CA (Slide presentation included: “Flotsam; ” “Primitive; ” “Boundary Waters;” “Trio”) Slide Presentation, “The Subjective Response to Contemporary Landscape Painting, ”panel by Prilla Brackett at the National Women's Caucus for Art, San Francisco, CA (Slide presentation included “Boundary Waters; ” “Beaver Dam”) Slide Lecture, “Walking the Woman's Path, ” South Central Women's Studies Association Annual Conference, Houston, TX Guest Lecturer, “Contemporary Women Artists, ” Introduction to Women's Studies (I.D. 26), Pitzer College, Claremont, CA Guest Lecturer, “My Career as an Artist/Teacher, ” Women's Forum, Claremont McKenna College, Claremont, CA Slide Lecture, “Walking the Woman's Path, ” 1989 National Women's Caucus for Art Conference, San Francisco, CA |
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1988 | Guest Lecturer, “Walking the Woman's
Path, ” Maryland Institute College of Art, Baltimore, MD Guest Lecturer, “Walking the Woman's Path: A Look at Contemporary Spiritual Artwork by Women, ” Campus Women, Claremont, CA |
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1987 | Slide Presentation, “Current Status
of Printmaking in the U.S., ” by Leslie Luebbers at the Atlantica
Graphica Symposium, Reykjavic, Iceland Slide Lecture, “Night Waters, ” Lang Gallery, Scripps College, Claremont, CA |
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1986 | Slide Presentation, Claremont Graduate School, Claremont, CA | |
1984 | Guest Lecturer, “The Threshold Series,
” Whitman College, Walla Walla, WA Guest Lecturer, “The Threshold Series, ” University of Wisconsin, River Falls, WI Slide Presentation, “Bay Area Printmakers, ” presented by Keiko Nelson-Tsukamoto at Kyoto Art University; Bunka Gakuen (Cultural Art Institute), Tokyo; and Toppan Printing Co., Tokyo, Japan Slide Presentation, “National Works on Paper, ” presented by Professor Sylvia Lark of the University of California at Berkeley at the University of Oklahoma, Tulsa, OK Workshop, “Taking a Closer Look at the Creative Process, ” University of Montana, Missoula, MT Guest Lecturer, “Contemporary Bay Area Art, ” University of Montana, Missoula, MT Guest Lecturer, “The Threshold Series, ” University of Montana, Missoula, MT |
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1983 | Guest Lecturer, “The Threshold Series,
” University of California, Davis, CA Guest Lecturer, “22 by 30 plus square, ” University of California, Davis, CA Slide Presentation, International Congress of Art, by the U.S. Committee of IAA, Helsinki, Finland |
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1982 | Slide Lecture Series, “Northern
California Artists, ” by Sally and Shane Weare at the Art Institute
of Chicago; Ohio University, Athens, OH; University of Kansas, Lawrence, KS; University of Michigan, Ann Arbor, MI |
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1981 | Interview, “Artwaves, ” of
Nancy Macko and Rita Robillard on the National WCA Conference, February,
1981. For Teleprompter Cable TV Channel 12, Oakland, CA. [Videotape of interview presented at Video Night, Berkeley Art Center. ] Slide Presentation, “Women Printmakers: From Impressionism to West Coast Impressions, ” by Professor Ruth Weisberg of USC at the National WCA Conference, San Francisco, CA |
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1980 | Guest Lecturer, “22 by 30 plus square,
” Berkeley Art Center, Berkeley, CA Slide Lecture, “Housewife Blitz, ” by Barbara Hammer in lecture on performance art at International Festival of Women Artists, NY Carlsberg Glyptotek Museum, Copenhagen, Denmark |
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SELECTED PRIVATE COLLECTIONS |
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Marcia Aldrich, Okema, MI |
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SELECTED PUBLIC COLLECTIONS |
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Agua Caliente Resort Hotel, Rancho Mirage, CA |
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AFFILIATIONS |
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ACM/SIGGRAPH |
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TRAVEL (1974-2012) |
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England; Switzerland; Germany; Japan; Oaxaca and Chiapas, Mexico; Costa Rica; Maui and Kaui, HW; Italy; Romania; Greece; France; Canada; and extensive US travel. |